Howie’s Top 22 Favorite Halloween Picks for 2022
Submitted by paula on Sun, 10/23/2022 - 12:39pm
Given all we’ve been through these past two-and-a-half years, nothing compares to the horror of real life watching a horror flick on the silver screen. Add to that an election year and people turning into psycho zombies well, some horror films might be considered too tame! Before we get started, let me say that nothing beats the experience of seeing a movie on a big screen with a kick-ass sound system with other like-minded souls who want to be scared to death! Since I tend to turn most everyday events into some form of cynical comedy (as a way of numbing myself from the real world) I look forward to immersing myself in the world of horror and the macabre. I’ve been a fan of horror movies dating back to when I was a kid staying up late on a Saturday night watching “Creature Features” on KTVU Channel 2 (before it became a FOX affiliate) growing up in the San Francisco Bay Area. Not only was the television my tutor of all things scary at that hour (introducing me to the likes of Lon Chaney Jr., Boris Karloff, Bela Lugosi, and Vincent Price) but also gave me ideas on how I could scare my sisters year-round other than just on Halloween.
When it comes to holiday movies I prefer Halloween over Christmas especially nowadays when some people get bent out of shape throwing in the religious aspect of Christmas. Hey, as one of the chosen people I don’t care and neither should you. The beauty of Halloween is that all faiths, ethnicities, and genders (pick one) all get brutally killed by a Jason, Freddy Krueger, or a Michael Myers (as it should be). There are so many Halloween flicks to choose from there was no way I could give you a Top 10 so I’m blaming the pandemic and going with a Top 22 instead. Here are a few of my absolute favs with some honorable mentions tossed in as well at the end.
Deadstream, R (2022)
Get Out, R (2017)
Written and directed by Jordan Peele (in his directorial debut), “Get Out” hit this one right in the sub-conscience combining good old-fashioned high-octane suspense with some topical racial tension tossed in. Scary yes but also deadpan funny too. The story centers around photographer Chris Washington (Daniel Kaluuya) who is invited to stay at his girlfriend Rose’s (Allison Williams) place in white suburbia which is the epitome of white privilege. Rose has a thing for having black boyfriends but let’s just say they don’t tend to last very long. Rose’s family is an interesting mess her dad played brilliantly played by Bradley Whitford (whose skills as a physician come into play later when things start to get really mind-trippy!) “Have you told your parents I’m black?” Asks Chris to Rose just before they drive off to her white guilt, privileged neighborhood. Her mom, Missy (Catherine Keener) seems to be a genuinely warm person but wait til you see what kind of cult-induced power trip she has to offer soon after getting into Chris’ personal life. Chris is quick to pick up on the uncomfortable vibe that the family is giving off and that’s amplified even more after meeting the family’s black staff. There were times this felt like a modern-day version of “The Stepford Wives” and “Zombie Apocalypse” with a family of slave owners tossed in. One of the best characters in “Get Out” is Chris’ friend, TSA officer Rod (a very funny LilRel Howery), who’s getting some weird vibes from Chris spending time with Rose’s family. If you’re one of the few who never saw this please do! And again, I gotta give major kudos to first-time director Peele working from his own script for making this a truly fun flick starring actors that were perfectly cast in this comedy/horror genre. A ‘must see’ definitely.
Halloween, R (1978)
You know you have a good horror movie when they’ve made like what, a hundred sequels? Supposedly, this year’s “Halloween Ends” is the last one but so long as the original “Queen of Scream,” Jamie Lee Curtis is interested they’ll find a way to make another.“Halloween” is director/writer John Carpenter's horror masterpiece and introduced us to Jamie Lee Curtis long before she was regulated on those Activia commercials. Hey, let’s be honest: “Halloween” set the sci-fi/horror standard which other movies would soon copy. Starring the late, great Donald Pleasence as Dr. Sam Loomis, “Halloween” had it all didn’t it? A psychotic murderer, The Shape (later to be known as Michael Myers in subsequent sequels) who loved to slash his victims, terrifying music that still haunts your soul, and by far one of the most frightening experiences I have ever had in a theater. There were some equally scary sequels but nothing that captured that first scream as the original “Halloween.”
The Conjuring, R (2013)
“The Conjuring” was directed by James Wan (probably best known for “Saw”) and already captured my attention being an ensemble piece. We’re first introduced to Ed and Lorraine Warren (Patrick Wilson and Vera Farmiga) who believe in the occult but are quick to understand that most events are easily explained hoaxes. Then there’s the Perron family, Carolyn, Roger, and their five daughters. This is my favorite couple played by the always-reliable Ron Livingston and Lili Taylor. They call on the Warrens once they realize that the old house they invested in is yes, haunted by nasty spirits. The Perrons have invested too much in an old house, which they gradually learn is haunted by spirits who mean to do them harm. Shot on a modest budget, director Wan knows all too well that his audience has probably seen every cliche out there so comes up with a mind-bending conclusion that will not only scare you silly but will leave you wanting more (and yes, there were sequels).
The Cabin in the Woods, R (2012)
As a fan of horror movies and one who has pretty much seen it all when it comes to predicting the storyline (I can usually tell you what’s going to happen within the first 15 minutes of a feature they’re so predictable), it’s refreshing when a movie comes along like “The Cabin in the Woods” that isn’t as formulaic as one would expect. Let’s just that you’re not going to see this one coming. Oh sure, the movie starts out with the requisite college students, each with its own stereotypical character centered around a cabin where horrific things are happening. But wait, these undead wanting to kill the living (btw why do they always crave college-aged students?) don’t just show up randomly. They appear to be controlled by scientists. Say what? Yes, beneath the cabin is a basement, and beneath that basement is with Richard Jenkins and Bradley Whitford hash out their dastardly schemes but what’s in it for them? I ain’t tellin’ but there is a surprise ending that reminded me a little of “The Hunger Games” meets John Carpenter’s “The Thing.” Survival of the fittest but when those controlling the outcome are themselves upstaged that’s when things get really interesting. “The Cabin in the Woods” was produced and co-written by Joss Whedon (creator of “Buffy the Vampire Slayer,” “Angel”) and directed by Drew Goddard (writer of “Cloverfield”).
Carrie, R (1976)
I’m so tired of Hollywood’s reboots so avoid the nauseating 2013 of this one and check out the ’76 classic directed by Brian De Palma. His masterpiece had an incredible cast that included Sissy Spacek, Piper Laurie, and a very young John Travolta and Amy Irving. Carrie White is a shy girl who doesn't make friends easily and is bullied a lot at school because her classmates think she’s a freak. Kids in high school can be so cruel but what they don’t know is that Carrie has some pretty unusual powers making her the ultimate revenge on bullies candidate. A classmate does take pity on her and convinces one Tommy Ross (her boyfriend and class hunk played by William Katt) to invite Carrie to the senior prom. Carrie cleans up nicely (on the outside) until you get her mad and then watch out. Some fundamentalists were offended by this movie but hey, aren’t most of them anyway if there’s even a hint of a devilish angle?
Alien, R (1979)
To this day when you witness that alien bursting out of John Hurt’s stomach, you know that director Ridley Scott’s terrifying flick had you captivated. “Alien” and its subsequent sequel, “Aliens” (1986) are still two of the better sci-fi/horror flicks out there even though their version of high tech by today’s standards looks way antiquated. The alien in this movie is still one of the creepiest and scariest I have ever seen in a movie (which by the way was based on the work of H. R. Giger for which he received an Academy Award under the Best Visual Effects category). The movie not only launched Sigourney Weaver’s career but her character was one of the first badass roles where a woman took charge and was able to show when it came to messing with humans, the aliens didn’t have a chance. She also appeared in many of the sequels and a couple of damn good prequels were also made all from this one trail-breaking movie.
The Exorcist, R (1973)
It would forever typecast its little-known actress, Linda Blair, and make peace soup useful for other things other than just consuming. After this flick, it was tough for Blair to get any real serious roles forever typecast as the possessed girl who spits up that pea soup. Of course, it was supposed to be barf but soon everyone found out it was pea soup, and then people would always imitate her making a mess. One of the scariest and psychologically tinged movies ever, “The Exorcist” caused a sensation when it first premiered including religious protestors that of course only made me want to see it more! And yes, there were countless sequels and prequels but none of them hold up to the original mother of all satanic movies.
Hellraiser, R (1987)
Clive Barker knows a thing or two when it comes to messing with people’s minds and this to me is one of his best in that department and one of the most original too. Originally titled, “Sadomasochists from Beyond the Grave,” Barker (who wrote, directed, and produced) must have been on some sort of medication (or stopped taking it!) when he came up with this classic horror gem. The character of Pinhead, the lead Cenobite is truly one of the more original icons in horror. You’ll never play with a Rubik’s Cube again if you haven’t seen this classic that’s for sure. Go ahead I dare ya!
Saw, R (2004)
Directed by James Wan (based on his story) “Saw” not only became a cult classic overnight but would eventually spawn a half-dozen sequels. Shot primarily in one place, we’re introduced to Adam Stanheight (Leigh Whannell) who awakens in a water-filled bathtub in an industrial bathroom. Right across from his is Lawrence Gordon (Cary Elves). Both men are chained at the ankle to pipes, and a corpse is lying face-down in a pool of blood between them holding a microcassette recorder and one revolver. They find tapes in their pockets, and Adam is able to retrieve the recorder. Adam's tape instructs him to escape, while Lawrence's tape instructs him to kill Adam before six o’clock, or his wife and daughter will be killed and he will be left to die. It’s mind-provoking and clues are slowly found that could assist in their escape including two hacksaws that are best used for cutting off their feet in order to escape. There’s much more but suffice it to say not for the faint of heart.
The Grudge, R (2004)
Based on Takashi Shimizu’s Japanese movie, “Ju-On: The Grudge”) the American version is just as good. Why? Because someone out there in Hollywood was smart enough to let Takashi Shimizu do a remake of his own movie! How about that? The original creator gets to do his own work and wow-the results are impressive. Starring Sarah Michelle Gellar as an American nurse living and working in Tokyo, she discovers (and is exposed) to a mysterious curse that causes a person to experience an uncontrollable rage before taking their life. The part that still creeps me out is that of images of zombied-looking kids in this waterlogged black and white image with freaky noises that stay with you long after the movie has ended. You’ll never want to enter an uninhabited house again unless accompanied by an army of eyewitnesses.
Shaun of the Dead, R (2004)
There are those out there who would agree with me that “Shaun of the Dead” is one of the best zombie horror and majorly funny movies ever made. Who would have thought that horror could be so funny, huh? Well, nothing says, ‘funny’ better than a Simon Pegg movie especially when it involves zombies. The British horror comedy, “Shaun of the Dead” makes scary sexy. By treating the genre as a joke Pegg gets plenty of mileage with his dry wit making this satire one of the best comedy/horror, one of the funniest I’ve ever seen outside of “An American Werewolf in London.” When zombies start descending on London the media declare it “Z-Day” in the U.K. Pegg, who wrote the screenplay with director Edgar Wright, plays the title character, a hapless 29-year-old clerk who, with his best friend Ed (Nick Frost) plots a plan to make a safe exit along with Shaun's on-again, off-again sweetheart, Liz (Kate Ashfield). The movie also stars Bill Nighy and trust me one of the funniest movies I’ve ever seen with regard to brain-eating zombies.
The Thing, R (1982)
Hands down one of the best remakes ever and there have been several! But are they any good? Well, there was a prequel that took you up to the 1982 remake that’s not bad. I first saw this as a double feature in one of those classic, Century Theatre domes that wasn’t split into 4 separate theaters but one gigantic screen! How folks watch movies on a phone is insanely stupid. You need to be engrossed and feel like you are in the movie itself and needless to say, I was literally blown out of my seat it was that good. Starring a bearded Kurt Russell as the head of an American Antarctic expedition, “The Thing” still boasts some of the best special effects ever and has an all-star stellar cast that includes Wilford Brimley, T. K. Carter, David Clennon, Keith David, Richard A. Dysart, and Charles Hallahan. Directed by the master himself, John Carpenter, you’ll be grabbing anything when you see what happens when an alien being replicates itself into anything starting with huskies and moving on up from there. Every movie mentioned so far has had a sequel or two and yet this one is the one that I wanted to see a sequel but alas-Carpenter felt otherwise.
Paranormal Activity, R (2007)
The original was good, and I could see having a sequel was inevitable, but 3 sequels? Someone went to the horror well a little too often and that’s why climate change is not a myth. The original was good because of the low-budget quality that made it appear so real with its single-camera, rapid-movement-shot in the first-person style. With each subsequent sequel, the budget got bigger as the quality depreciated. “Paranormal Activity” works in much the same way another very low-budget flick, “The Blair Witch Project” worked. The tension is just as shaky as those hand-held cameras are. You know the story is good when you don’t require any big names to carry your picture. Of course that makes it easier for the filmmakers to control their young actors lest they want to be killed off and not be in another sequel.
Poltergeist, PG-13 (1982)
Would you believe that back then executive producer (and writer) Steven Spielberg had to lobby to give this movie a PG rating? The film was originally given an R rating so he (along with the filmmakers) protested successfully and got a PG rating (the PG-13 rating did not exist at the time). This was the movie that gave us the immortal line, “They’re baaaaaack” which was uttered by Heather O’Rourke, the cute little blonde who played Carol Anne, daughter of Craig T. Nelson and JoBeth Williams in the movie. The movie is a stark reminder of what happens when developers, in their zeal to construct urban sprawl forget to move bodies from a cemetery they are building on. The movie took on a life of its own with real-life actors dying in each production. The eldest daughter in the movie (played by Dominique Dunne) was killed in real life by her boyfriend upon completion of the first film. Actor Julian Beck died of stomach cancer after shooting the second film and actress Heather O’ Rourke died of a mystery case of intestinal stenosis shortly before completion of the third film. Also, many cast members’ careers have suffered after appearing in the films. The ghosts at first appear friendly moving objects around the house to the amusement of everyone but then they turn nasty and start to terrorize the family before they “kidnap” Carol Anne. Still a great ‘scare factor’ to this day, “Poltergeist” has a great story and great effects that rival only that of “The Thing.”
28 Days Later, R (2003)
Who would have guessed that the same guy who directed the Summer Olympic Games in London would also be the same chap who brought us “28 Days Later” revolving around a deadly virus? Yes, a virus. Was it the precursor to Covid? Will it kill me slowly and is there a host to help find me a cure? Only director Boyle has the answer and he plays on this common fear combining the terror of its after-effects turning one into a zombie. The movie also takes a look at what might happen if we experiment on things that go unchecked. It’s that ‘unknown’ element that can be the scariest psychologically playing off our minds. We’re introduced to Londoner Jim (Cillian Murphy) who wakes up in a hospital room all alone and no one else is in the entire hospital either. He puts his clothes on, walks out into the empty streets, and does see other survivors but how long will they last? Are they exposed as well? It’s not pleasant and I can now see why people become germaphobes after seeing this movie and now hits so close to home.
Psycho, PG (1960)
“Psycho” is that one movie that would forever make showers a scary experience for a woman and brand those of the male species a ‘momma’s boy’ forever but taking to the next creepiest level. Leave it to Alfred Hitchcock to deliver one of the truly frightening masterpieces of all time. Phoenix office worker Marion Crane (Janet Leigh) is fed up with the way life has treated her. She has to meet her lover Sam (John Gavin) at lunch breaks and they cannot get married because Sam has to give most of his money away in alimony payments. One Friday afternoon Marion is entrusted to bank $40,000 by her employer. Seeing the opportunity to take the money and run, Marion leaves town and heads toward Sam's California store. Tired after the long drive and caught in a storm, she gets off the main highway and pulls into The Bates Motel. The motel is managed by a quiet young man called Norman (Anthony Perkins) who seems to be dominated by his mother. An interesting piece of trivia: After the film's release Hitchcock received an angry letter from the father of a girl who refused to have a bath after seeing “Les Diaboliques” (also on this list), and now refused to shower after seeing “Psycho.” Hitchcock sent a note back to the father simply saying, “Send her to the dry cleaners.”
A Nightmare on Elm Street, R (1984)
Outside of John Carpenter, Clive Barker, and George Romero, I kind of know I’m going to pretty much enjoy my scare factor when I see horror master Wes Craven’s name attached to it. And with, “A Nightmare on Elm Street” I wasn’t disappointed. One could argue that many a subsequent horror flick borrowed their chops (no pun intended) from Craven’s original ‘Elm Street.’ High school kids being killed off in a small town and nobody knows why. Enter Nancy Thompson (Heather Langenkamp) playing a detective who traces the cause to Freddy Krueger (Robert Englund), a disfigured bum in a slouch hat who sported knives for fingernails long before Wolverine made it sexy. Still holds up as a classic slasher that I think horror fans continue to hold in high esteem in part because it comes across as low-budget and with an intelligent (and original) script featuring some pretty impressive newcomers such as Johnny Depp, Ronee Blakley, and Amanda Wyss with Craven himself directing.
The Shining, R (1980)
The pairing of director Stanley Kubrick with Jack Nicholson’s cold and frightening character (also named Jack) defined this movie and the career of both. “The Shining” introduces the viewer to Jack Torrance (Nicholson), a man who plans to spend the winter in solitude with his wife, Wendy (Shelley Duvall), and son, Danny (Danny Lloyd) as jack becomes the caretaker of the Overlook Hotel just as workers are shutting it down for the winter. Chef Dick Hallorann (the classic Scatman Crothers) is one of the crew but the movie centers almost entirely around Jack and his slow, deterioration into madness writing the novel that is page after page of the same line. For me, it’s a psychological mind f**k at its best and a movie that would label Shelley Duvall as the Queen of Scream and one that every young actress would have to emulate in order to be considered as the leading lady for any horror flick.
Night Of The Living Dead, R (1968)
If this movie were made today it would be considered tame compared to the current crop of gore flicks out there. “Night of the Living Dead” is a true classic (and always will be) that definitely deserves its place in the Smithsonian Institute of Horror. The movie is still quite effective shot in glorious black and white. I had the rare privilege of seeing this film in a theater at a midnight screening. The audience found themselves screaming and jumping as I did in certain parts of the film. It's raining weird rays from outer space that causes the dead to awaken from their graves to feed on human flesh for sustenance. After seeing this movie originally on television, I never slept near my sister again when camping with the family.
Werewolf by Night, PG-13 (2022)
I was actually surprised that “Werewolf by Night” was as decent as it was because A) it was only available streaming on Disney+ and B) was part of the new off-branch of Marvel Comics, Marvel Cinematic Universe (MCU) losing the traditional capes, masks and spandex attire and delving into more of the territory of the horror genre of filmmaking. Given the movie’s limited running time (54 minutes) and rating, PG-13 I knew there wasn’t going to be much in the gore department which meant the story had to be good and quick to the point and it actually was. Following the death of the immortal monster-hunter, Ulysses Bloodstone, five monster-hunters are summoned by Ulysses' widow, Verussa, to Bloodstone Manor, where they are given instructions to compete against one another to determine who will be the next leader to replace Bloodstone. One of those hunters is Jack Russell (played by Gael García Bernal) and ironically not one you’d expect at first who could pull this off being somewhat reserved and kind of nerdy (like myself lol) but once he transforms into ‘werewolf mode' he truly becomes a Dr. Jekyll turned into Mr. Hyde unleashing mayhem on his fellow monster hunters. Co-starring is Laura Donnelly who plays Elsa Bloodstone, Ulysses' estranged daughter who wants to compete as well despite Verussa’s warning her against doing so. I liked Donnelly’s character who not only holds her own with the likes of Jack but like other Marvel fans (including myself) weren’t expecting much more than a romantic sidekick to Jack that could have taken us there but thankfully does not make that the crux of this flick and, like mentioned earlier at 54 minutes doesn’t leave much time other than cutting to the chase going after the monster (which I don’t want to give too much away). I like that “Werewolf by Night” pays homage to those old, classic black & white horror classics I remember growing up to like “Dracula,” “Lon Chaney’s “Wolfman,” “Creature From the Black Lagoon” and “The Invisible Man.” Big kudos to first-time feature director Michael Giacchino who is best known as a composer of music for films, television, and video games (“The Batman,” “Spider-Man: No Way Home,” “Jurassic World Dominion” and “Lost” among others). He has an Oscar for his work on “Up” (2009), an Emmy for his work on “Lost (2004)” and three Grammys for his work on “Ratatouille” (2007) and Up (2009). And co-writers Heather Quinn and Peter Cameron are clearly fans of those old Universal classic horror movies which I believe pulled this off by making something for both Marvel and getting played on a streaming service such as Disney+ and still be scary with a PG-13 rating. Believe it or not, the length of this movie is a positive that doesn’t allow much room for fat or filler and helped in making this an impressive entry into the world of the MCU. Let’s hope this is just the start of what will be even more entries and running longer too.
The Omen, R (1976)
One of the classics of seventies horror, alongside The Exorcist, The Shining, Carrie, and “Killer Klowns from Outer Space.” Okay, that came out in 1988. The Omen is probably the reason I never wanted to have kids. Granted it was the spawn of Satan but still. Stylish and dark, this one seems to miss the list of those who critique classic horrors and seeing this one again after so many years brought back chilling memories. There have been reboots, sequels, and a prequel but as usual, it’s the original that stands the test of time over all others incarnations. Gregory Peck is an American ambassador whose wife gives birth to a baby boy and from that moment on, all hell breaks loose. Literally! Directed by Richard Donner (“Superman,” “Lethal Weapon,” “The Goonies”), “The Omen” has Peck’s wife, (Lee Remick) beginning to suspect that these random and horribly violent deaths going on around them may have something to do with her creepy kid. Things begin to fall into place when that infamous 666 tattoo is discovered on the kid's forehead. Turns out he's not really their kid but this problem child has no plans to leave. This flick creeped me out as much as “The Exorcist” did in part because of their religious parallels. That always puts a twist on things and makes me wonder when I watch these how come God just doesn’t enter the picture and kick Satan’s ass? Satan has protectors around this kid that includes a wigged-out babysitter and an evil dog. Movies such as this when a priest is sought after make me feel good I stayed with my Jewish faith since not too many rabbis are called in to take care of such things (oy)
Honorable Mentions:
There are so many other flicks that make Halloween worth celebrating including “Warm Bodies” (2013), “Basket Case” (1982), “House of Wax” (not the Paris Hilton version but the original 1953 rendition with Vincent Price), “The Haunting” (1963), “The Blair Witch Project” (1999), “Dracula” (1931), “The Birds” (1963), “Scanners,” “The Fly” (1958), “Seven” (1995). For campy, cheesy horror fun you must see “An American Werewolf in London” (1981), “Child’s Play” (1988), “Scream” (1996), “Zombieland” (2009) and “Killer Klowns from Outer Space” (1988).